Where’s Star Wars?

Torgersen takes a look at The Martian and Mad Max and it is in water much deeper than just the Science Fiction and Fantasy writers. It is about a world view and the role of humanity past, present, and future.

Clearly, audiences across the globe had a much greater preference for the science fiction movie that focused on actual science being employed in a setting where science — and mankind — are making miracles happen.

But the professional body of Science Fiction and Fantasy writers liked their bleak future better. The future where a despotic madman keeps women as breeding and food stock, while the young men all die very bloodily, and too early; before the lymphoma and blood cancers (from the nuclear fallout, naturally) can kill them slow.

Of course, The Martian was every inch a Campbellian movie, while Fury Road was almost entirely New Wave.

Guess which aesthetic dominates and excites the imaginations of SF/F’s cognoscenti?

Now, I think there is a very strong argument to be made, for the fact that Campbellian vs. New Wave is merely the manifestation of a deeper problem — a field which no longer has a true center.

My personal stance has always been, “To hell with the hoity-toities! Give me my space cruisers and galactic adventure, like that which fired my imagination in the beginning!” But this is a very passé attitude. Nobody wants nuts-and-bolts SF/F anymore, do they?

The Martian box office take isn’t the only indicator. Look at the latest in the Star Wars saga. Whether it is almost feasible science extrapolated or dam’ the science for space adventure where the good guy wins, the box office seems to favor the feel good over the apocalyptic. Now consider that in light of political topics such as human caused catastrophic climate warming, the GMO and ‘natural organic’ foods controversies, energy resources, and other science related where is mankind political controversies. Does man overcome problems or does he (she) cause them?

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